Love makes the world go round. However, it is a truth universally acknowledged that romance fiction authors tend to be women. I am delighted to introduce you to a male romance writer, R. J. Gould, and let him tell you why men can write romance.
I suppose I am a rarity, a man writing in the Romance genre. There aren’t many of us; less than one percent of the membership of the Romantic Novelists’ Association are male. How did I fall into that genre and sign up to that organisation? Well, a fellow member of the local Cambridge Writers suggested that what I wrote was “sort of” romance and that I should put my novel forward for the New Writers’ Scheme. I got in, received a positive review, was a finalist for the Joan Hessayon Award (yes, the only male), and was taken on by an indie publisher after our RNA annual conference meeting.
At the next annual conference I played the ‘I am a rare male’ card and presented on ‘The Man in RoMANce’, this followed by a commission to write a feature for Writing Magazine. Meanwhile Part One, my publisher was going flat out to produce ChickLit/Romcomesque covers that I have never been comfortable with. Meanwhile Part Two, having fought off an agent’s suggestion that I use a pseudonym to attract my predominantly female target readership, I did adopt the cowardly compromise of using ‘R J’ in place of Richard.
David Lister, The Independent
I appreciate why I was placed in the Romance genre: I write about relationships. Based on many conversations, I can see why there aren’t more males writing, and for that matter reading, Romance – it’s the word itself and often the book covers that put men off. What a pity because this diverse genre can offer deep insights, thought-provoking takes on life and top-rate humour in addition to escapism.
My writing covers second-chance relationships, the tragi-comic journeys of the protagonists impeded by having to carry cartloads of baggage. For Mid-life follies starting point is a man taking early retirement and excited by the opportunities this presents. By contrast, his wife, several years younger, panics and flees the family home. One question stayed with me as the essence of the novel as I plotted their contrasting responses to ageing: ‘When you look in the mirror, do you see someone young and vibrant like you used to be,’ Liz asks her husband, ‘or old and decrepit like you’re going to be?’
I decided to set the novel in Cambridge, the place where I now live. It was a good choice, not least because it got me walking around, notebook in hand, to check on the old haunts and new places that my lead characters visit. This picturesque and serene city seemed the ideal location for my solidly middle class protagonists to discard rationality and academia and compete for who can have the most embarrassing midlife crisis.
Please see all my author interviews at My Guests and my website and blog at JessieCahalin.com.
A copy of my novel is available here.
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